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ENTERTAINMENT
Continues on
Entertainment & Showbiz
REMEMBERING
AMERICA’S FORGOTTEN MUSIC LEGENDS AND GREATEST SINGERS AND
ENTERTAINERS.
“Best Musicians,
Singers, Albums and Entertainment Personalities of the 19th,
20th and 21st Centuries.”
A Must Read Book!!
By Theodore
Nye, Syndicated Columnist. London Monthly Herald and The
International Herald Daily News.
nye@internationalheralddailynews.org

Ms Patrice Ferris on the
cover of
the book "Best Musicians,
Singers, Albums and Entertainment Personalities of the 19th,
20th and 21st Centuries."
A publication of the Federation of American Musicians,
Singers and Performing Artists and TimesSquarePress.
THE WORLD OF SHOWBIZ IS UNMERCIFUL!
The world of showbiz, including
Jazz, Pop, Rock “N” Roll and Broadway is unmerciful. How easy
it is to forget the music and entertainment giants and
pioneers of yesteryears! Time erases the glory, the memory,
and accomplishments of past stars and legends. The musical
heritage and treasures of America will dissipate for ever,
unless, conscientious historians bother to record memorable
events from the history of entertainment, the ups and downs in
the careers of stars of the era, and above all, the meaningful
contributions of pioneers to the world of music. This is the
duty of responsible historians. Fortunately, now and then, few
books on the subject surface on the landscape of “intelligent”
publishing shedding lights on our magnificent singers,
musicians and composers, and most cherished musical treasures,
lost or forgotten for lack of scholarly research or because of
changes in musical taste and preference of a generation that
lost interest in the music of the golden years of Broadway,
Hollywood, New Orleans and Vaudeville. The Federation of
American Musicians, Singers and Performing Artists (FAMSPA) is
fully aware of this bleeding truth and alarming situation.
Thus, it consecrated time and efforts to publish a series of
several volumes on the history of music, showbiz,
entertainment, musicians and singers of America from the 17th
century to the present. By now, music lovers, entertainers,
Jazz singers and musicians and those who cherish America’s
musical heritage have either read or heard about the 20
volumes of the World Who’s Who in Jazz, Cabaret, Music and
Entertainment” published by FAMSPA, a United States nonprofit
organization dedicated to the preservation and promotion of
quality work of American musicians and singers.
PRESERVING AMERICA’S MUSICAL TREASURES! MUSIC HISTORY COULD BE FUN
AND HILARIOUS TOO!
FAMSPA has already published 4
massive volumes. And I was fortunate to acquire those
previously published tomes. But the best of the series just
bursts out this week; a new volume. Volume V, that is. And the
title is quite revealing and illustrative “Best Musicians,
Singers, Albums and Entertainment Personalities of the 19th,
20th and 21st Centuries.” An
encyclopedic book encompassing the astonishing and multiple
facets of music and entertainment in America since the 19th
century, fully illustrated and enriched with almost 1,000
photos, some recent, many vintage and rare, and many others,
possibly published for the first time.
One would think that
there is no anecdote about the world of music and
entertainment that Maximillien de Lafayette, the author of
this new book, has not told us in Volumes I-IV of the World
Who’s Who in Jazz, Cabaret, Music and Entertainment. But
when I received Volume V,
“Best Musicians, Singers, Albums
and Entertainment Personalities of the 19th, 20th
and 21st Centuries”
I was
flabbergasted. An ambitious title indeed, but it truly
reflects the content of the book. The book is a treasure trove
of information about the personalities described. The facts
the author has unearthed about the early days of entertainment
are astounding, and the book is encyclopaedic in scope. But
don’t for a moment think that it is dull and scholarly.
Lavishly illustrated with almost one thousand photographs,
some of which are vintage, some extremely rare, it is, to
begin with, a visual treat. One wonders if Mr. de Lafayette
got them from private scrapbooks and family albums? And the
anecdotal material, gossip, and stories make the book come
alive. There are diverse and intimate details about the
private lives of such early greats as, Ethel Merman, George
Burns, Jimmy Durante, Al Jolson, Jazz great composers, Cole
Porter, and Florence Ziegfeld and his ladies. You will see
Sarah Bernhard in her coffin and Anna Held on her bicycle. You
will read about Broadway’s musicals and shows that created the
biggest scandals in the history of entertainment in America
and unbelievable intimate stories of the biggest stars of the
era.
The book also
includes a list of the world 2,500 best old and new Jazz
albums and CDs, by artist, by song, by year and by billboard
rating. Intriguing tales of Tin Pan Alley and the greats of
ragtime and early Jazz follow, including Scott Joplin’s
personal life and other pioneers of music and showbiz. Gossip
from early radio and the private lives of Bob Hope, Bing
Crosby, Louis Armstrong, Dinah Shore, and Rosemary Clooney,
well into the fifties. Rock and Roll and Jazz in all its forms
and styles are discussed in detail, including the most popular
songs of each year. The fifties, with their mind-boggling
scandals, such as the marriage of Jerry Lee Lewis to a
thirteen year old girl, his cousin no less, and Elvis
Presley’s rise to stardom, the first Afro-American recording
artists and their struggle for recognition, the 300 best
cabaret female singers in America, the 200 best Jazz musicians
and singers of our time…are all there. You will learn how
Celeste Helm and Tallulah Bankhead dished the dirt about each
other. How and why the early female songwriters were not
allowed to use their full names on sheet music…Nor does the
book neglect the present and the shining stars of jazz and
cabaret today, almost 6,000 names featured in the book. Plenty
of that is there. It is impossible to cover, in a review, the
wealth of information, charts, tables, lists that fill the
book. You can spend weeks reading it, and I suspect many
people will keep it by their bed side for months. If you have
the slightest interest in the subject, you owe it to yourself
to read this book, which I think is the best of the series
thus far. “Best Musicians,
Singers, Albums and Entertainment Personalities of the 19th,
20th and 21st Centuries” is without any
hesitation one of the best books ever published on Jazz, world
showbiz, cabaret and beloved stars who entertained us for
generations. This book is a must read book. Get your copy. You
can read more about the book at the website of FAMSPA.
http://www.federationofamericanmusicianssingersandperformingartists.org
_____________________________________________________
CDS REVIEWS
The Best of The Week
Frank Jackson's "New York After Dark": A triumph!
Elegantly
romantic ambiance emanates from the discreet piano virtuosity,
the inviting, inspiring and nostalgic voice of Frank Jackson
and the musical finesse of relaxing and impeccable
arrangement, all blended in a luxurious bouquet of 13 superb
songs of "New York After Dark." Jazz echoes the inner feelings
of passages of life. Jazz got to come to life with a fresh
breeze and an outcry stronger than life. And this is precisely
what we feel upon listening to Jackson's most recent album.
Get a copy. First class. Rating: 4 stars out of 5.
Barbara's Montgomery's "Noel, One From
The Heart": A sweet and sensual marvel!
The
perfect present for Christmas, this Christmas all the
Christmases to follow. Barbara Montgomery's voice is like the
sound of a 10 carats diamond gently touching the face a
dreamy river... it splashes and radiates beauty. It is an
elegant voice enrobed with an intimate beauty, depth and human
warmth. The piano solo sparkles with elegance and lyrical
tenderness. Almost perfect. Even though, the CD is seasonal,
it will transcend the boundaries of time and space. This CD
comes really from the heart. "Lo How A rose E're Blooming" is
mesmerizing, a true reflection of Montgomery's voice out of
this world. Highly recommended. Add it to your collection.
Rating: 5 stars out of five.
Marcus Goldhaber's "The Moment After":
Sensually intelligent and stylish.
Just
listen to Goldhaber's "Like Someone in Love" and you
will realize that this man can sing with style, originality
and challenging romance. "The Moment After" is cleverly
crafted, vivacious and happy. The bass is right on, the piano
is eloquent, and the splashes of the drums sparkle. I love
this album. It is a blend of a free form smooth jazz blended
into unorthodox musical virtuosity and richly evocative voice.
Two thumbs up. Buy it. You will enjoy it.
The Worst of
The Week by Nigel Huntington
Judy
Roberts' "The Other World" is not so good. In fact, it is
deplorable, mediocre. Don't waste your time and money on this
CD. I expected a better product from a professional singer who
spent years working on her craft. Music could be a form of
therapy. "The Other World" is just the opposite. It irritates
you. Roberts' voice betrays the sensitivity of music. Rating:
Forget it! Make a U turn. "The Other World" is our pick for
the worst CD of the week.
WHAT'S HAPPENING BY
PEGGY NORTH
SCORSESE GETS DOCUMENTARY HONOUR
Martin
Scorsese is to receive an award for his documentary work.
Scorsese's
documentaries have mainly focused on music.
The Taxi Driver director,
who has famously never won an Oscar, will be honoured at the
Silverdocs festival for his non-fiction films. They include his
London's TV series on Bob Dylan, No Direction Home, and the
seven-part musical history Martin Scorsese Presents: The Blues.
Festival organisers said Scorsese's work shows "a deep
appreciation for American cultural history". "It's about telling
America's story, but it's also about telling a story with
artistry," said festival director Patricia Finneran. "I think
his stories about great musical artists really help us
understand our American musical culture and national consensus."
Scorsese will discuss his work with director Jim Jarmusch at the
festival, to be held in the Washington suburb of Maryland this
June. Silverdocs has been running for four years, benefiting
from an explosion in documentary film-making. This year it will
feature 100 films, including 25 world or US premieres. Former US
Vice President Al Gore, whose global warming film An
Inconvenient truth, is released in America next week, will
deliver the festival's keynote speech.
 
Early Eurovision exit for Belgium

Belgian singer Kate Ryan was the biggest casualty of the
semi-final.
The Eurovision Song Contest hopes of 13
countries have ended after the competition's semi-final in
Athens. The biggest shock was the elimination of Belgian
singer Kate Ryan, one of the favourites for this year's prize.
But other hotly tipped performers from Sweden, Bosnia and
Herzegovina and Russia did make it through. Finland's masked
metal band Lordi will also be in Saturday's final, as will
Ireland's Brian Kennedy. The UK did not have to compete in the
semi-final.
France, Germany, Spain and the UK automatically
qualified for the final as the four largest countries in the
event. Rapper Daz Sampson will represent the UK on Saturday with
his song Teenage Life. Hosts Greece and nine top-scoring nations
from last year's contest were also already guaranteed places in
the final. Some 23 countries took part in the semi-final, with
just 10 final places up for grabs. The winners and losers were
chosen by a public text and phone vote. Belfast-born singer
Brian Kennedy will represent seven-time Eurovision winners
Ireland in the main event. His semi-final success will come as a
relief after the country was unexpectedly knocked out at this
stage last year. Finnish rock band Lordi, whose masks, armour
and jets of flame attracted widespread attention before the
event, will also repeat their performance on Saturday. Of the
underdogs, Lithuania - whose act comprises six men in suits
singing "we are the winners of Eurovision" - were surprise
qualifiers for the final. The other qualifiers from Thursday's
semi-final were the Former Yugoslav Republic of Macedonia,
Ukraine, Turkey and Armenia. But Cyprus, Estonia, Iceland,
Slovenia, Albania and Andorra were knocked out. The Netherlands,
Poland, Belarus, Bulgaria, Monaco and Portugal were also
unsuccessful in the semi-final.
Row in India delays Da Vinci Code

The film was premiered at the Cannes Film
Festival on Wednesday.
The Indian release of the Hollywood film The Da
Vinci Code has been delayed indefinitely by Sony Pictures after a row
with the country's censors. Sony Pictures said the censors' demand
for disclaimers at the beginning and end of the film led to the delay.
The Censor Board has asked for disclaimers saying the film was "a work
of pure fiction". The film, based on the best-selling book by Dan
Brown, was launched at the Cannes Film Festival this week.
The Censor Board wanted the disclaimers to read "it is a
work of pure fiction and has no correspondence to historical facts of
the Christian religion". However, Sony Pictures said it had a legal
statement at the end of the film and did not believe additional or
modified language was required. Sony's statement reads "the characters
and incidents portrayed and the names herein are fictitious, and any
similarity to the name, character or history of any person is entirely
coincidental and unintentional". The company statement also said it
hoped an agreement could be reached as soon as possible so that the
film could be released in India. The movie has faced stiff opposition
from the Christian community with some Catholic groups asking for a
ban on its release. Following special screenings for various Catholic
leaders and even the information and broadcasting minister, Priya
Ranjan Dasmunshi, the board finally cleared the film for release on
Thursday, providing the disclaimers were inserted.
No Champagne for the Da Vinci Code

The Da Vinci stars appeared fleetingly on the
red carpet.
Cannes has a love affair with glamour
stretching back decades. One can see it in the fashion of the
overdressed women who parade up and down the narrow streets and in
the hulls of the millionaire yachts bobbing in the marina. So it was
no surprise to see a flock of people crowding the Croisette on the
opening night of the festival for the world premiere of The Da Vinci
Code. Those lucky enough to have tickets to the premiere strolled
past slowly in their finery. Even the cameramen were forced to wear
tuxedos and the policemen were in their dress uniforms, gloves and
braids a dazzling white. A group of hopeful teenagers had put
on their evening wear - cocktail dresses and tuxedos - and worked
the crowd, carrying signs in French asking for tickets to the
screening. They were not locals, but a group of American film
students on a course in Cannes during the festival. "If you come
across any tickets, let us know," said one. Judging by press
reaction to the film, it was a mercy that they avoided the
screening. But premieres are not about films, they are about the
stars. And Cannes certainly put on a show for the visiting stars,
here to promote a film based on a huge best-seller.

Tautou, the star of the hit 2001 film Amelie,
is a big draw in France.
The Cannes jury arrived before the stars of the
Ron Howard movie - crossing the red carpet in a line to signify
their unity. Jury president Wong Kar Wai has promised a united panel
and on day one, certainly, they looked a unit. Of course the French
involvement in The Da Vinci film helped fuel excitement - Jean Reno
and Audrey Tautou are stars in their own right in their native
France. A live announcer called out the name of each star as they
arrived, like a stadium announcer reading out the name of each
player at a football match. The crowd reaction was more pleased than
passionate - perhaps the French are more reserved at such outings.
The centre of attention was certainly Tom Hanks, who arrived with
his wife Rita Wilson. Although the double Oscar winner did not work
the crowd in the style made famous by fellow Hollywood star Tom
Cruise, he gave a confident wave to the onlookers. A premiere in
Cannes is not like other premieres - stars are kept determinedly
separate from the fans who pay their wages at the box office.

British star Sir Ian McKellen plays theological
historian Leigh Teabing.
They arrive, wave at the crowd, pose for
pictures, pose some more and then sweep up the carpet. Tautou, a
diminutive, almost chronically shy star, seemed almost swallowed up
by the attention. Sir Ian McKellen seemed most at ease, but then he
has experienced many similar occasions thanks to his Lord of the
Rings fame. After shaking hands with waiting Cannes officials, the
stars lined up on the top step of the Palais. A few more waves, some
smiles and they were gone. The meat and drink of the premiere was
over in less than 10 minutes. Perhaps the Tom Cruise method of
premieres is better after all.
-Daren Walters
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