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CLASSICAL
MUSIC
From
the Desk of Irma Panayotti
CHRISTINA PETROWSKA
QUILICO Gems
With An Edge (Welspringe) As part of New Music Concerts' Piano Marathon
at The Music Gallery this weekend, Christina Petrowska Quilico will offer
comments on and performances of the keyboard music of her first husband, the
late Michel-Georges Brégent, whose aleatorically influenced Geste,
originally recorded on the RCI label, reappears on this Welspringe disc. Its
disc-mates include Mario Davidovsky's Synchronisms VI (1970), Pierre
Boulez' early Third Sonata (1961) and most particularly a selection
of Olivier Messiaen's Vingt regards sur l'enfant Jésus (once
picturesquely translated by the late CBC radio broadcaster Bob Kerr as
Twenty Peeks At The Baby Jesus), the latter originally released on CBC
Records. One of Canada's most loyal interpreters of contemporary keyboard
music, Petrowska Quilico's other albums include four CDs recorded with her
late husband, the celebrated Canadian Metropolitan Opera baritone Louis
Quilico.-Willi Litter
Photo:
Christina Petrowska Quilico.
« An
extraordinary Talent. » New York Times
Christina
Petrowska Quilico is not only one of Canada's foremost pianists, but also a
most innovative and adventurous one with an eclectic approach to
programming. Her vast and diverse repertoire is reflected in more than
sixteen recordings of classical, romantic, new and world music, including a
JUNO nominated CD with the Winnipeg Symphony Orchestra. An unusually gifted
and well-rounded performer, she has worked with leading composers of the
20th century such Pierre Boulez, John Cage, Louis de Pablo, Lowell
Liebermann, György Ligeti,
Krzysztof
Penderecki and Karlheinz Stockhousen among others. In Canada she has
collaborated with Glenn Buhr, Omar Daniel, Chris Paul Harman, Christos
Hatzis, Larysa Kuzmenko, Alexina Louie, Heather Schmidt, Claude Vivier and
her first husband
Michel-Georges Brégent, to name just a few, premiering countless
new works, many written especially for her. Petrowska Quilico recorded four
CDs in partnership with her late husband, the legendary Metropolitan Opera
baritone Louis Quilico, and
toured extensively with him in concert. Her own solo tours have been
highlighted by appearances at major New York venues from Carnegie, Alice
Tully and Town Halls to the Museum of Modern Art and Merkin Concert Hall. In
November 2002, Petrowska Quilico released
Gems with an
Edge to coincide with a live performance of Pierre Boulez' First
Sonata in the presence of the composer on the occasion of presentation of
the International Glenn Gould Prize. On March 15, 2003, Ms. Quilico presided
over "The Christina and Louis Quilico Competition for Voice Majors in the
Glenn Gould School of Music." Coloratura soprano Sinead Sugrue was awarded
the first prize of $1,000. Soprano Miriam Khalil and Mezzo Soprano Ramona
Carmelly received awards of $500 and $250, respectively. The contestants are
all voice majors at The Glenn Gould School at The Royal Conservatory of
Music where Louis Quilico held his last teaching position. For more
information on how you can contribute to The Christina and Louis Quilico
Fund at the Ontario Arts Council, which finances the competition.
Photo:
Virtuoso Robert Silverman
ROBERT SILVERMAN
Live At The Chan Centre (Orpheum Masters). Among the Westben Arts
Festival's most innovative programs this year is Sipping with Silverman,
this coming at The Barn in Campbellford, during which the Vancouver based
pianist Robert Silverman will introduce a selection of wines appropriate
to the music he will be playing. You didn't know Burgundy was a perfect
mate for Schumann's Arabesque, Op. 18, did you? No drinking is
involved in Silverman's latest album for the enterprising British Columbia
label Orpheum Classics. It is a live recording, taped Jan. 19 this year,
documenting the popular pianist's retirement from the full-time faculty of
the University of British Columbia, and featuring some of the works that
have cemented his reputation as a fine interpreter of the Romantic
literature. The pieces include Schumann's Fantasy In C Major,
Liszt's Sonata In B Minor and Chopin's Nocturne, Op. 27, No.2,
with Liszt's arrangement of a song from Beethoven's An Die Ferne
Geliebte cycle as an off-beat aperitif. Happy drinking.-William Litter
Silverman Bio Synopsis: In a world that sees wunderkinds of the piano come and go, Robert Silverman has reached a level of musical and technical authority that can only be accomplished after years of deep commitment to the instrument and its vast literature. Many aspects of Silverman’s playing are frequently noted: a polished technique, an extraordinary range of tonal palette, an uncanny ability to sing his way into the heart of a phrase, and his probing interpretation of the most complex works in the repertoire. The distinguished pianist has performed in concert halls throughout North America, Europe, the Far East and Australia. Under the batons of such renowned conductors as Seiji Ozawa, John Eliot Gardiner, Gerard Schwarz, Neeme Järvi, Sergiu Comissiona, Zdenek Macal, and the late Kiril Kondrashin, he has performed with orchestras on three continents, including the Chicago Symphony, the Sydney Symphony, the BBC (London) Symphony, the St. Petersburg Philharmonic Orchestras, and every major orchestra in Canada. Robert Silverman's discography includes 25 CDs and a dozen LPs.
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